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Lyric-soprano, Jaunelle Roberta Celaire enjoys a musical career as a teacher, soloist, conductor and performer. Born in Toronto, Ontario, Canada, Celaire is internationally known; performing music that ranges from cabaret to music theatre and from solo recitals to opera. She has made solo appearances with several orchestras across the nation including, the Maumee Symphony Orchestra and the Lima Symphony Orchestra. Other appearances include the University of Michigan Symphony Band, as Musetta, in La Bohême, and the University of Michigan Symphony, premiering the role of the Old Woman, in a One Act Blues Opera, De Organizer by James P. Johnson, performed at Orchestra Hall in Detroit, Michigan. Celaire made her debut with the Fairbanks Symphony Orchestra in Fairbanks, �ֻ�ֱ��, in April 2004, singing the soprano role in Orff’s Carmina Burana, and sang Micaela in Bizet’s opera, Carmen in April 2005. A few of her roles include, Laurie in Hammerstein's Oklahoma; Susanna in Mozart’s Le nozze di Figaro, Pamina in Die Zauberflöte; Dido in Purcell's Dido & Aeneas; Mrs. Hayes in Floyd's Susannah; Anna Gomez in Menotti's The Consul; and as the Bystrousky in Jánacek's Pøíhody Lisky Bystrousky, performed in Czech.

Dr. Celaire can be heard on the recording of the Second Anthology of Art Songs by Black American Composers compiled and edited by Willis C. Patterson. Although Celaire maintains an active schedule, performing, teaching and conducting, she remains dedicated to her voice studio. Her students have been successful at institutions, such as, the Royal Northern College of Music in Manchester, England and several major opera apprenticeship programs across the country. Through constant participation in the NATS Chapter in �ֻ�ֱ��, her studio claims the winners of the annual NATS Competition in Anchorage, �ֻ�ֱ��.

Dr. Celaire joined the �ֻ�ֱ�� voice faculty in 2003. Dr. Celaire has been a guest soprano artist at several festivals, including the Fairbanks Summer Arts Festival, the Rio International Cello Encounter in Rio de Janeiro, Brazil and several festivals in Europe, including, the Vianden International Chamber Festival in Luxembourg and the Innibos Music Festival in Nelspruit, South Africa. She is a member of the National Association of Teachers of Singing. Currently she is the Artistic Director for the Fairbanks Summer Arts Festival’s Opera Program and the UAF Summer Music Academy. Her most recent accomplishment was being awarded UAF’s most prestigious 2020 Usibelli Distinguished Service Award! Celaire holds her degrees from Anderson University, Bowling Green State University and the University of Michigan. Her teachers include Greta Domenic, Myra Merritt and George Shirley.

Dr. Junheng Chen is a dynamic violinist and dedicated educator whose career bridges orchestral excellence, solo artistry, and innovative teaching. She has served as Assistant Concertmaster and Principal violinist with ensembles including the Seattle Chamber Orchestra, Tacoma City Ballet Orchestra, and Binghamton Philharmonic Orchestra. As a soloist, she has performed throughout Asia, Europe, and North America at prestigious venues including Carnegie Hall, Benaroya Hall, and Kodak Hall.

Committed to community engagement and music education, Dr. Chen works closely with students and teachers throughout Washington State. In her roles as a private instructor and visiting artist with the Washington State Music Teachers Association, she presents masterclasses and workshops for young string players and music educators. Her teaching philosophy emphasizes individualized instruction, strong technical foundations, and creative musicianship.

Dr. Chen is also a frequent presenter at regional and national music conferences, including those of the College Music Society and the Music Teachers National Association. Her presentations have explored topics such as individualized teaching approaches for string players, student-centered pedagogy, and inclusive studio instruction.

An advocate for contemporary music and collaborative performance, Dr. Chen regularly performs and premieres new works by emerging composers. Her artistic interests include cross-cultural programming and expanding access to diverse repertoire in both performance and educational settings.

Dr. Chen earned both the Doctor of Musical Arts degree and the Master of Music degree from the Eastman School of Music, in Violin Performance and Literature with a minor in Music Theory, under the tutelage of Mikhail Kopelman. She received her Bachelor of Music degree in Violin Performance from Lynn University, mentored by Guillermo Figueroa.

Dr. Chen Liang is a Chinese-born pianist, collaborative artist, and educator whose performance career has taken him throughout China, Japan, the United States, Austria, Germany, Italy, and Russia. Praised by the New York Concert Review as “undoubtedly far from finished in terms of potential,” he has appeared in major concert venues including Carnegie Hall in New York City, Benaroya Hall in Seattle, the Pontifical Institute Hall in Rome, and the Vienna Hall of the Mozarteum Foundation in Salzburg. He has also performed as soloist with the Chongqing Philharmonic in China, the Greece Symphony Orchestra in New York, and the Lynn Philharmonia in Florida.

An award-winning pianist, Dr. Liang has received numerous international competition prizes, including First Prize at the Russian Lyra International Piano Competition, the Manhattan International Music Competition, the Charleston International Piano Competition, and the Clara Schumann International Music Competition, as well as the National Grand Prize at Spain’s Music and Stars Competition. In 2023, he received Second Prize at the ArsClassica International Violin and Piano Competition in Italy and was awarded a concert tour in Rome. He is currently a signed artist with KNS Classical in Spain and the Chengdu City Concert Hall in China.

Previously based in Seattle, Dr. Liang served on the Artistic Board of the Seattle International Piano Competition and was active as a collaborative pianist with the Seattle Choral Company and Central Washington University. He also taught on the piano faculty of the Chopin Academy of Music, where his students received top prizes in competitions such as the Bellevue Symphony Concerto Competition. As a collaborative pianist, he has worked with and coached many award-winning students, including finalists and winners of the MTNA National Competition and the Seattle Youth Symphony Orchestra Concerto Competition.

Prior to joining the �ֻ�ֱ��, Dr. Liang also taught at the Eastman Community Music School and the State University of New York at Geneseo, and has presented masterclasses at institutions and organizations including Interlochen Arts Academy, Lynn University, the Washington State Music Teachers Association, and the Sichuan Conservatory of Music in China. In 2018, he co-founded the Beyond Clouds Summer Piano Festival in Chengdu, China, where he continues to serve as Artistic Director.

Dr. Liang holds a Bachelor of Music degree from the Lynn University Conservatory of Music, where he studied with Dr. Roberta Rust, and Master of Music and Doctor of Musical Arts degrees from the Eastman School of Music, where he studied with Natalya Antonova.

Sarah McConnell teaches music theory and ear training at the University of �ֻ�ֱ�� Fairbanks.  Her love of music is reflected in the passion and energy in her teaching.  She earned her Ph.D. in Music Theory at the University of North Texas.  Dr. McConnell’s dissertation takes a new look at the instrumental music of Max Reger through the lens of developing variation.  In her master’s thesis she transcribed and analyzed the film score to “Secret Window” (2004) to reflect the score’s role in the overall narrative of the film.  She received a bachelor’s degree in music from Oklahoma City University, a master’s in instrumental conducting from Stephen F. Austin State University and a master’s in music theory from the University of North Texas.  Dr. McConnell won the Robert W. Ottman teaching fellowship award while a master’s student at the University of North Texas.

Dr. McConnell was an adjunct at Dallas Baptist University from fall 2011 – spring 2012 during her doctoral studies at UNT, as well as a full time lecturer from fall of 2014 – spring of 2015 at Texas A&M Kingsville.

Dr. McConnell’s current areas of research include film music analysis, continuing research on developing variation in Max Reger, music theory and ear training pedagogy, and analysis of choral works from the performer’s perspective.  Dr. McConnell has presented her research on Max Reger at a few graduate student conferences including the 2016 GTA Symposium of Music Theory at Indiana University, was invited to present on her dissertation to a graduate class on Max Reger at Southern Methodist University in the Spring of 2022. Dr. McConnell is currently studying �ֻ�ֱ�� Native Music so that she can respectfully and knowledgeably bring it into her classrooms to be studied and appreciated. In the past year she has presented twice on fostering community connections and incorporating growth mindset in the university classroom - most recently at the Eastman School of Music's Context Conference in Rochester, NY November 2025.  She is the BA in music advisor for the music department here at UAF and loves working with students to help them realize and achieve their career goals.

Prior to moving to �ֻ�ֱ��, she sang with the Houston Symphony Chorus for four seasons.  She has also taught private oboe lessons and played oboe with various ensembles since the age of 17.

Dr. Daniel Strawser is an active cellist throughout the United States who has taught at all levels of music education. Originally from Columbus, Ohio, Dr. Strawser studied music education at Denison University and holds masters and doctoral degrees in cello performance from the University of Memphis, where he studied with Brazilian cellist Leo Altino. 

Active in symphonic, chamber, and solo performance, Dr. Strawser has performed throughout the Midwest, the Mid-South region, �ֻ�ֱ��, and beyond. The principal cellist of the Fairbanks Symphony Orchestra, he previously served as principal cellist of the Delta Symphony Orchestra while also performing with the Starkville Symphony, The Jackson Symphony Orchestra, and the Memphis-based Eroica Ensemble. Additionally, he has performed with orchestras in Ohio, Arizona, Indiana, Michigan, Washington, and Italy. Dr. Strawser has also been active in regional chamber music, performing with the Arkansas State Piano Quartet and pursuing duet performances with colleagues. Dr. Strawser has performed solo recitals on a variety of repertory in Tennessee, Arkansas, and Ohio. The little-known Austrian composer Hans Gál is a particular favorite of his, and Gál's cello music was the subject of Dr. Strawser's doctoral dissertation. 

Working in disadvantaged urban schools, Dr. Strawser taught in the public school system in Memphis, Tennessee for nine years. Dr. Strawser organized and maintained active orchestra programs throughout the city of Memphis in some of the most impoverished and crime-ridden neighborhoods in the United States. This time in public education gave Dr. Strawser a great passion for helping the disadvantaged have access to the classical music experience and access to excellent training in the field. 

Dr. Strawser has served on the faculties of Arkansas State University and Union University as an instructor of cello, where he helped to develop each school's respective cello program by teaching their very first performance majors on the instrument. 

As instructor of music education at the �ֻ�ֱ��, Dr. Strawser brings a strong commitment to excellence and community. Students studying Music Education at UAF are guided through a variety of unique experiences that help to prepare them for classroom teaching. These include participation in professional organizations, such as the collegiate NAfME chapter and AMEA that involve students in fundraising, conferences, and other professional activities. Students are also encouraged and given opportunities to work alongside local advocates for music education in Fairbanks, and are given many opportunities in both curriculum and outside of it to practice their teaching in real classroom settings.

Russian born Eduard Zilberkant is recognized as one of today’s most gifted artists and has an active career as conductor and pianist. A Yamaha performing artist, Eduard Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada, Asia and the United States, performing in such halls as The Academy of Music and Curtis Hall in Philadelphia; Merkin Hall in New York City; Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland; Teatro di San Carlo Opera House in Naples, Italy; Teatro Sangiorgi in Catania, Sicily; Volgograd Opera House in Russia; and �ֻ�ֱ�� Center for the Performing Arts in Anchorage.

Eduard Zilberkant has been a guest artist and conductor at some of the most prestigious music festivals which include the International Keyboard Institute and Festival in New York City; the Ravello Festival in Italy; the Gumi International Music Festival in South Korea; the Corfu Festival Ionian Concert Series in Greece; the Monolis Kalomiris International Music Festival in Greece; the Assisi International Festival and Orazio Frugoni Music Institute in Italy; the Baracasa Festival of Radio France in Montpellier, France; the �ֻ�ֱ�� International Piano-e-Competition, Fairbanks, �ֻ�ֱ��; and the Bellingham Music Festival in Washington. Some of the orchestras he has guest conducted include the Czech National Symphony Orchestra in Prague and on tour to Germany; the orchestra of Pomeriggi Musicali di Milano in Italy; the Martinu Chamber Orchestra in the Czech Republic and Germany; the Orchestra of the Teatro Massimo Bellini in Catania, Sicily; the Manhattan Chamber Orchestra in New York City; the Teatro di San Carlo Orchestra in Naples, Italy; and the Prague Philharmonic in Prague and Italy.

The Badische Zeitung wrote of his performance of the Dvorak’s “New World Symphony”, “[Maestro Zilberkant] made an impression for feeling the nuances of tempo, pauses, and accents… he brought out new colors and romantic feeling with full balance of the sound from the orchestra.”  After his performance of the Mozart’s Symphony No. 41 in Anchorage, �ֻ�ֱ��. The Anchorage Daily News wrote: “[Maestro Zilberkant] brought admirable intelligence to his reading of the piece…and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale’s awesome counterpoint show him to be a musician of significance whom we hope to hear again.”  American Record Guide stated, “Zilberkant’s artistic approach emphasizes a strongly colored rhetoric, supported by passionate and sensitive temperament…Zilberkant’s pianistic and musical qualities are found not only in his speed, but also in his ability to distill the slow tempos by drawing them out to the extreme.”  Radio France, Polish Radio and Television and PBS Radio and Television in the United States have also broadcast his performances.  Music critics have asserted that he “possesses a remarkable keyboard mastery; plays in the style of the old romantic masters; he knows how to extract quite a palette of colors from the piano; his playing is subtle and passionate at the same time; he has the equipment that makes for pianist greatness.”

Eduard Zilberkant has been hailed as an inspirational teacher around the world. He has given masterclasses at the International Keyboard Institute and Festival in New York City, the Rubinstein Academy in Dusseldorf, Germany; the Puccini Conservatory in Italy; the Gumi International Music Festival in South Korea, and the Ionian Conservatory in Greece. His students have won national and international piano competitions and appear as soloists worldwide.

A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia.  His teachers have included Jerome Rose, Vitaly Margulis, Theodore Lettvin, Robert Spano and Robert Shaw. Presently, he is Artist in Residence and Professor of Piano at the �ֻ�ֱ��. For the past 23 years he has been Music Director and Conductor of the Fairbanks Symphony Orchestra and the Arctic Chamber Orchestra.